About the artist
Daniel Götesson (1978), known as EKTA, is a Swedish artist, currently based in Gothenburg. His works have been exhibited all over Europe and his murals can be found across the continent in countries such as Croatia, Poland and England. Amongst other projects, Götesson has recently worked on several public art commissions of varying scale for various municipalities in Sweden. In 2013, he received the one year working grant from Konstnärsnämnden and in 2016 he received the Byggnads Kulturstipendium. He is represented by Galleri Thomassen in Gothenburg and Mini Galerie in Amsterdam.
The special edition of 160 Faces by Ekta contains not one, but two original face drawings by the artist. The first oil stick drawing is made on a randomly distributed blank page in the book, and the other on the lid of the corner stapled box. The box is also signed and numbered by the artist. Available in an edition of 16, one will be selected at random for each purpose.
Ekta’s initial intention was not to draw faces. The circles, broken up in halves, rather presented a way of restricting his drawings. Within the lines of these broken circles, a playground unfolds, in which the artist allowed himself to work freely and without a clear destination. Suddenly, a curved line is transformed into a mouth and an oblong circle into an eerie eye. An incidental spot left as the crayon frantically moves across the paper becomes a newly shed tear, resting close to what resembles a cheekbone.
With the fervour of a starving pigeon feeding on a loaf of bread, Ekta made one drawing after the other, before ripping them in halves and puzzling them back together in new, unexpected combinations. Apparently, there is comfort to be found both in destruction and restoration.
Gloomy, surprised, angry, giggly and anxious – 160 faces look back at the artist from the floor of his studio. Does each of the collaged drawings represent an individual character, or is the series an attempt at showing the full register of emotions a human face is capable of conveying? On closer inspection, the artist’s motifs seem to be rooted in the urge to push his visual vocabulary to its absolute limits, more than in exploring a range of facial expressions.
The drawings, which were made by the artist in 2019, are finally collected and published by ll’Editions. Rather than trying to create logical pairings for each spread, the book’s sequencing has been determined by an algorithm, programmed by the design studio Lundgren+Lindqvist. As a result, each copy of the book is unique.
The book is also available in a regular edition.